Now for my list. This is an activity I engage in with friends sometimes and those friends range from people who have hardly heard a note of classical music in their lives to people who have been professional musicians their whole lives. But I still find myself digging out pieces to play for them that they may not have heard. One friend, who has played violin and viola in professional orchestras for more than forty years, I was able to turn on to the Turangalîla Symphony by Messiaen because she had never heard it! Another professional musician, a guitarist, I was able to turn on to C. P. E. Bach with one of his Orchestral Symphonies. But I did recently make the attempt with someone who has only listened to pop music. I played the first movement of the Moonlight Sonata by Beethoven, then the beginning movement of the Schubert Unfinished, then part of the Rite of Spring and some Messiaen. Interestingly, she liked the Stravinsky most of all. This underlines my view (which seems to be shared by Jeremy Denk) that using the Top Pop Classics approach is wrong and will just confirm newcomers in their unconscious bias that classical music is boring music cranked out by Dead White Guys. If you want to reach people, you have to challenge them a bit.
The problem with doing it in a public forum is that you can't shape it to the individual, which is what works best. But I'll give it a try anyway. Here are five pieces that, if you are a beginner to classical music, you might find open a door for you.
Let's start with some sparkle. This is disc 11 from Scott Ross' complete Scarlatti sonatas, but I just want you to listen to the first one, K173 in B minor. This was very popular in a transcription for guitar duet with Presti and Lagoya and for good reason. It rocks:
Jumping to the 20th century, this is the opening movement of Prokofiev's Piano Concerto No. 2, written in 1913 for himself. It starts very peacefully, but that doesn't last long:
Now something completely different. This is an unaccompanied vocal piece from the Renaissance by Cipriano de Rore titled "Calami sonum ferentes" and it is nearly expressionist in its chromatic intensity.
We need something by one of those Viennese classicists that tend to top the great composer lists, and it is hard to avoid Mozart. This is one of his greatest accomplishments, the finale to his last symphony, that blends together several different themes in a truly celestial way. They say that when the angels in heavens want to praise God they play Bach; but when they want to please themselves, they play Mozart:
And finally, something by Beethoven, one name that nearly everyone has heard. Here is the first movement of his Piano Sonata in D major, op 28, nicknamed the "Pastoral":
If none of these pieces win you over, then we need to talk!